Writing · Stakes in the Sand · 2 of 3
Unwitnessed
On the difference between being unlovable and being unseen. From the inside they feel identical. They are different facts with different futures.
Tiago Santana · Las Vegas · the second of three
Writing · Stakes in the Sand · 2 of 3
On the difference between being unlovable and being unseen. From the inside they feel identical. They are different facts with different futures.
Tiago Santana · Las Vegas · the second of three
At the same family party I wrote about in the last essay, a cousin asked me a second question. The first one was "do you have a job." The second one was "are you happy?"
I’ve turned that question over a hundred times since, wondering what she meant by it, and I’ll be honest that my first read was not generous. But whatever she meant, I want to record what I said, because it’s one of the few things from that night I don’t need to revise.
I told her I’m not too concerned with being happy. I told her what I’m grateful for is the ability to feel a broad range of emotions. That I’m not always happy, but I do feel a deep sense of joy and peace in my life, and that makes me happy in a way the word doesn’t quite cover. I told her that just days earlier I’d been talking with my mom about how grateful I am to feel real depth, that I’d been genuinely angry that week, properly angry, and that I felt grateful even for that. Grateful that the whole spectrum still works. That nothing in me has gone numb.
It’s the truest thing I said all night. It might be the truest paragraph in these three essays. And I said it standing in a backyard where I felt like a stranger, to a person who has known me since we were children.
Hold that contradiction, because this whole essay lives inside it. A man who can feel everything, articulate everything, has done years of real work on himself, and stands in the middle of his own family feeling like nobody there has ever actually met him.
Later that night, alone, I did the thing I imagine everyone does after a party like that. I ran the ledger.
Here’s what mine said. A few weeks from thirty-three. The payment rail I’ve spent years building has moved less than a dollar of real money, and I’m the one who sent it, testing my own pipes. My closest friendships have gone quiet. My family knows a version of me that’s ten years out of date. To them I’m the weird guy who hasn’t come around in a decade, who shows up once and talks about software paying software and cities that don’t exist. No partner. No kids. Cousins my age are on their third and fourth. That’s the ledger. I stared at the ceiling and read it over and over like it was carved somewhere.
I’m including it, unsoftened, because I think you have a ledger too, and I think yours reads about like mine, adjusted for the details, and I think you also read it at 1am as if it were an objective document.
It isn’t. And learning to audit the auditor has been the most important work of my thirties, so let me show you what I found when I finally did.
Notice what my ledger counts and what it doesn’t. It counts kids, dollars, friends reachable by phone. Measurable, visible, legible things. Now notice what it values at zero: fifteen years of devotion to a single question. A live piece of financial infrastructure that actually works, sitting one decision away from the world. Multiple companies built with my own hands and no one’s permission. Three years of unglamorous weekly work in therapy. A heart that survived a decade of self-imposed exile without going cold, and can still, on the edge of 33, feel joy and peace and proper anger, on demand, at full resolution.
All of that, my ledger files under miscellaneous. Not because it’s worthless. Because it’s invisible. The ledger only counts what a stranger could verify from across a backyard.
Here’s the thing I finally understood about that: the ledger isn’t mine. I didn’t write it. It was handed to me, the way it’s handed to everyone, by a world that can only see what’s legible, and I’ve been letting it audit my life using someone else’s chart of accounts. When the books say you’re worth almost nothing, sometimes you’re broke. And sometimes you’re just holding assets the accountant has no column for.
Now I have to tell you why I disappeared, and this is the part I’ve never written down before.
About ten years ago I deleted essentially everyone from my online life and replaced my face with a blank white square. In the last essay I told you the philosophical story, the pageant critique, and it’s true. But underneath the philosophy there was something that had nothing to do with media criticism.
It was shame.
Not guilt. Guilt is about something you did. This was the other thing, the one that attaches to what you are. Somewhere along the way I had picked up a scarlet letter, stitched from the gap between the world’s narrative about what a person like me should be and what I actually knew, quietly and stubbornly, to be true about myself. What my heart knew and what the rhetoric around me allowed did not match. And when the story everyone lives by has no chapter for you, you learn to read the absence as your own indictment. Not "the story is incomplete." Instead: "I am the error."
I’m deliberately not itemizing the letter here. Some of it is family trauma, the kind that gets passed down like furniture until someone finally refuses the inheritance. Some of it is the complexity of who I am, which I’ve spent my whole adult life exploring with a curiosity I was taught to feel embarrassed about. The details are mine, and some of them are still being worked out in a quiet room with a professional, where that work belongs. What I owe you is not my inventory. It’s the mechanism, because the mechanism, I’ve learned, is nearly universal.
It works like this. First the world hands you a narrative, and you notice you’re off-script. Then somebody, or everybody, or nobody in particular, makes it clear that off-script is a problem, and you fit yourself with the letter. Then comes the move that costs you the next decade: you start managing the letter’s visibility. You hide the parts of yourself it marks. And since you can’t be sure exactly what it marks, you round up. You hide more. Eventually the simplest way to make sure no one reads the letter is to make sure no one reads you, and the profile goes white, and the calls go unreturned, and you call it a preference for privacy.
Here’s what I’d say now to anyone mid-hide, and to myself ten years ago. The shame was never yours. It was assigned. Homework from a curriculum you never enrolled in, graded by people reading from a script you never signed. You have been serving a sentence for the crime of being yourself earlier, or differently, than your particular corner of the world was ready for. And the sentence is self-administered, which is terrible news and wonderful news, because it means the same hand holds the key.
And notice, please, the one thing shame never managed to take. You said it yourself, whoever you are, in your own version of that backyard: what I knew to be true. You knew. All along, under the letter, you kept the knowing. A decade of pressure and the core never gave. Whatever else you believe about yourself tonight, believe what that took.
There’s a particular flavor of alone that I’ve never seen a word for, so I’ve been calling it the middle.
Much of my extended family lives inside a faith I’ve never belonged to. I won’t name it, because this isn’t about any one church, and honestly the same structure exists around politics, around class, around any tight story a family organizes itself inside. What matters is the geometry: they’re inside a shared world that answers everything, and I’m outside it, and between us is a membrane that everything social has to pass through, and the membrane distorts.
Through that membrane, my curiosity reads as danger. I’m the one with too many questions. And through it, their warmth carries a question mark, because an outstretched hand from inside a missionary faith is never just a hand, or might not be, and you can’t ask. Every interaction between us runs on two channels at once, the words, and the constant background hum of what does this really mean. I’ve wondered whether one of the reasons certain hands never extended toward me is that on their side of the membrane, reaching out to someone like me carries its own risk, of being misread as recruiting, the mirror image of my fear of being misread as hostile. Two people, each frozen by the fear of being misunderstood, each concluding the other doesn’t want them. The standoff again, one layer down.
The cousin I grew up closest to is inside now. She wasn’t always. We started in the same place, same childhoods, same outside, and then she fell in love, and love took her somewhere I can’t follow. Ten years and four kids later, at the party, she barely said goodbye to me. Of everything that happened that night, that’s the one that hollowed me out, and it took me days to understand why. It’s grief. Not conflict, we never fought. Grief for a person who’s still alive, still in the same city, still at the same parties, and might as well be on the far side of a border I don’t have papers for.
And the middle is exactly that: a borderland. Too curious for the inside, too bound by love to just walk away and be free. Present at every party, belonging at none. The inside people have each other. The fully-outside people have each other too. The middle just has a good view of both.
I used to think the middle was my personal defect, evidence that I’d failed to pick a side like a normal person. I now think the middle is a real place, and heavily populated. Everyone who half-left a religion. Everyone who out-grew or under-grew their family’s story. Everyone fluent in a world they can’t fully join and native to one they can’t fully leave. We just can’t see each other, because the defining feature of the middle is that nobody in it shows up on anyone’s map. An invisible country, densely settled, where every citizen believes they’re the only one.
Under the party, under the ledger, under the letter and the middle, there’s a floor, and under the floor there’s a belief, and this year I finally pulled the boards up and looked at it.
The belief says: I am unlovable. No one wants me around. The people who matter don’t reach for me because, at the end of the accounting, I am not worth reaching for.
If you’ve never had to say your version of that sentence out loud, I’m genuinely glad, and you can skip ahead. But if your chest just tightened, stay with me, because I want to walk through what three years of therapy and one bad party taught me about that belief, and I want to be precise, because precision is the whole cure.
First: look at the belief’s timestamp. A conviction that total, no one, ever, anywhere, is not a conclusion an adult reaches from adult evidence. Adults conclude "that friendship faded" or "she and I want different things." The universal version, the one with no exceptions clause, gets written early, back when the people whose job was to make you feel wanted were too broken or too busy or too haunted to do it well enough, and a child did what children always do with a house on fire: assumed he’d lit it. The belief isn’t a finding about you. It’s a fossil. It’s the oldest sentence you know by heart.
Second: watch it eat. A belief like that doesn’t sit quietly under the floor waiting to be disproven. It curates. Someone doesn’t approach you at a party: evidence. Someone’s quiet in a conversation: hidden resentment, evidence. Someone drifts, as everyone drifts: verdict confirmed. Meanwhile every warm signal gets explained away as politeness, or pity, or them not really knowing you yet. The belief always eats first. It has never once in thirty years let a clean experiment run, because it also built the armor, and the armor keeps everyone too far away to ever produce the disconfirming case. It’s a perfect machine. It generates its own fuel.
Third, and this is the one that changed me: run the audit on the evidence, and the case falls apart. The few people I let in over the years didn’t all stay, that’s true, and every departure went straight into the file. But look at when that sample was collected. Those people met me at my most armored, most hidden, most braced for their exit. They met half of me, the half already flinching. A few people leaving after meeting half a person is not a verdict on the whole person. The unarmored version has barely been field-tested. Almost thirty-three years old, and the real experiment hasn’t run yet.
Which is why the most important sentence I can offer anyone carrying this belief is a distinction, one word swapped for another:
You are not unlovable. You are unwitnessed.
From the inside, the two feel absolutely identical. The ache is the same ache. But they are different facts with different futures. Unlovable is a property of you, permanent, structural, hopeless. Unwitnessed is a property of your circumstances, of white profiles and unanswered requests and a decade of no one getting close enough to see. Unlovable can’t be fixed. Unwitnessed can be fixed by Tuesday, by one person, seeing one true thing, one time. The whole difference between despair and a to-do list is which word you believe.
I want to say something about therapy, because I’ve been at it for three years and the way it’s usually talked about, either miracle or scam, matches nothing I’ve lived.
Three years in, the belief under the floor is still there. That’s the honest report. Nobody reached in and removed it like a bad tooth. What changed is subtler and, I’ve come to think, better: I can see it now. I can watch it reach for the pen when someone’s quiet in a conversation, watch it start drafting the old story, and, on a good day, take the pen back. The cousin barely says goodbye and the machine says she despises you, and now there’s a half-second where another voice says: or she’s carrying her own armor, and you know it, because you just spent three essays describing yours.
That half-second is the entire product. That’s what the years buy. Not a new self, just a gap between the trigger and the verdict, wide enough to fit a choice into. Everything I’m doing now, the essays, the messages I’m about to send, the un-hiding, lives inside gaps that didn’t exist three years ago.
So when I say the things I say in these essays, I’m not writing from a summit. There is no summit. I’m writing from a switchback, slightly higher than the last one, with a decent view of the valley and no illusions about the remaining wall. If you’re in the valley: the trail is real, it’s just longer than anyone admits, and the only wasted years are the ones spent deciding whether to walk it.
Here’s where I’ve landed, and it rearranged something I’d believed my whole life.
I always assumed that being seen was something that happened to you. Some people got witnessed, because they were the witnessable kind, and some people didn’t, and you found out which kind you were by waiting. I waited ten years. The results are in, and they measure nothing, because that’s not how any of it works.
Witness is not found. It’s permitted.
Nobody can see through armor. That’s what armor is for. The depth I spent a decade protecting, the full spectrum I told my cousin about, the knowing I kept alive under the letter, none of it can be witnessed through a white profile and a wall of careful distance, and none of the people who might have loved it ever got the chance to try. The world didn’t refuse me. I was running a museum with the doors locked and reading the empty guestbook as a review.
So the work, the actual work, is not becoming more witnessable. I was always witnessable. The work is permission, granted in small, specific, almost embarrassingly ordinary acts. Answering the friend request that sat there for years. Sending the message that says nothing but "I’ve missed knowing you." Letting one person at a time see one unarmored thing at a time, and surviving the exposure, and letting the survival, not the old belief, write the record.
And to the question I asked the ceiling at 1am, the one under all the others, will anyone ever choose me, will I ever have a family and people of my own: I notice the question assumes I’ll be findable. That’s all. Every version of the life I want requires exactly one precondition I control, which is that I stop being hidden. The rest was never mine to guarantee, only mine to make possible. Kids and a family don’t require me to be different. They require me to be locatable. Those are not the same requirement, and I’ve spent ten years failing the wrong one.
I’m not unlovable. I’m unwitnessed. And unwitnessed, it turns out, is a door, and the lock, this whole time, was on the inside.
Stakes in the Sand · a series of three
This is the second of three essays. The first, The Standoff, is about why everyone stays hidden. The third, The Turning-On Year, is about the pattern that runs through my work and my life, and the decision that ends it.